Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of George Caleb Bingham 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
50549		Boater playing the Card	mk212 1847 Oil on canvas 71.1x96.8cm
45274		Bootsleute auf dem Missouri	mk181 1846 Winterhur
58266		Daniel Boone Escorting Settlers through the Cumberland Gap	Daniel Boone Escorting Settlers through the Cumberland Gap, oil on canvas, 1851?C52
45267		Daniel Boone fuhrt eine Gruppe von Pionieren	mk181 1851
45266		Das Urteil des Volkes oder Verkundung des Wahlergebnisses	mk181 1854-55 St.Louis
45277		Die Frohhichen Bootsleute	mk181 um1848
45353		Die frohlichen Bootsleute	mk181 1846 Ol auf Leinwand 96.9x123.2cm
45276		Die frohlichen Bootsleute	mk181 um 1848 Kansas
45352		Die Heimkehr der Trapper	mk181 1851 Ol auf Leinwand 66x92cm
45354		Die Kreiswahl	mk181 1851-52 Ol lauf Leinwand 96.9x123.8cm
50544		Emigrant	mk212 1851-52 Oil on canvas 92.7x127.6cm
50543		Folk-s arbitrament	mk212 1854-55 Oil on canvas 92.7x127.6cm
42774		Fur hand put on boots on the Missouri	MK169 1845 Cloth 73.7x92.7cm Metropolitan Museum or Art
28411		Fur Traders Descending the Missouri	c 1845 Oil on canvas 73.7 x 92.7 cm (29 x 36 1/2 in) Metropolitan Museum of Art New York (mk63)
33933		Fur Traders Descending the Missouri	mk87 c.1845 Oil on canvas 73.5x93cm New York,The Metropolitan Museum of Art
40692		Fur Traders Descending the Missouri	mk156 1845 Oil on canvas 73.7x92.7cm
41353		Fur Traders Descending the Missouri	mk161 Oil on canvas
56219		fur traders descending the missouri	mk247 1845,oil on canvas,29x36.5 in,73.5x92.5 cm,metropolitan museum of art,new york,ny,usa
21449		Fur Traders Descending the Missouri (mk09)	c 1845 Oil on canvas,73.5 x 93 cm New York,The Metropolitan Museum of Art
22143		Fur Traders Descending the Missouri (mk13)	1845 oil on canvas,73.5 x 93 cm New York,The Metropolitan Museum of Art
23254		Fur Traders Descending the Missourl (nn03)	185 oil on canvas h74 x w92cm h29 x w36 1/2 in Metropolitan Museum of Art,New York,NY
42775		Indiaan-the hidden enemy	MK169 1845 oil Paint on cloth 74.3x92.7cm
31684		Marchands de fourrures descendant le Missouri	mk75 vers 1845 Huile sur toile 73.7x92.7cm
85613		Mrs George Caleb Bingham	oil on canvs 88.9 x 72.4 cm ca 1841 cyf
81631		Mrs George Caleb Bingham (Sarah Elizabeth Hutchison) and son, Newton	oil on canvs 88.9 x 72.4 cm ca 1841 cjr
49329		Order NO.11	mk195 ca.1865-1870 Oil on canvas 55x78
45273		Pelzhandler den Missouri hinunterfahrend	mk181 1845 New York
85156		Portrait of Vinnie Ream	1876(1876) Medium Oil on canvas cyf
31870		Raftsmen Playing Cards	mk77 1847 Oil on canvas 28 1/6x38 1/6in
27007		Self-Portrait	mk52 1834-5 Oil on canvas 71x57.1cm St Louis Art Museum
3095		Shooting for the Beef
39065		Shooting For the Beef	mk140 1850 Oil on canvas 84.8x124.5cm
71411		Shooting for the Beef	ca. 1850(1850) Oil on canvas 84.8 x 124.5 cm (33.39 x 49.02 in)
72561		Shooting for the Beef	Date ca. 1850(1850) Medium Oil on canvas Dimensions 84.8 X 124.5 cm (33.39 X 49.02 in) cyf
98200		The gypsy encampment	1852(1852) Medium oil on canvas Dimensions 43.2 x 64.2 cm cyf
3094		The Jolly Flatboatmen
3092		The Puzzled Witness	1874 23" x 28"
28410		The Verdict of the People	1845-5 Oil on canvas 116.7 x 164.9 cm (46 x 65 in) The Boatmen's National Bank of St Louis (mk63)
86496		View of Pikes Peak	1872, Oil on canvas cyf
45279		Wahlkampfrede oder Stimmenfang im Wahlkreis	mk181 1853-54
45275		Zeichnung fir	mk181 Die Heimkehr der Trapper
45278		Zeichnung fun	mk181 Die frohlichen Bootsleute
45280		Zeichnung fur	mk181 Die frohlichen Bootsleute der Fiedler 1846

George Caleb Bingham

1811-1879 George Caleb Bingham Gallery George Caleb Bingham (March 20, 1811 ?C July 7, 1879) was an American artist, whose work depicted his view of American life in the frontier lands along the Missouri River. Left to languish in obscurity, Bingham's work was rediscovered in the 1930s and he is now widely considered one of the greatest American painters of the 1800s. Born in Augusta County, Virginia, Bingham was the second of seven children born to Henry Vest Bingham and Mary Amend. Upon their marriage, Matthias Amend, Mary's father, gave ownership to the family mill, 1,180 acres of land and several slaves to Henry with the agreement that Matthias could live with the family the rest of his life. Henry offered the land and mill as surety for a friend's debt and, when the friend died in 1818, all was lost. George's family soon moved to Franklin, Missouri "where the land was said to be bountiful, fertile and cheap." Bingham was a self-taught artist. His sole childhood exposure to the field was as a nine-year-old boy, when famed American portraitist Chester Harding visited Franklin looking for business, having recently sketched Daniel Boone in Warren County, Missouri. George assisted Harding during his brief stay, an experience that left a powerful impression. In 1823, Bingham's father, now judge of Howard County Court, died of malaria on December 26 at the age of thirty-eight. To keep the family going, Mary Bingham opened a school for girls and George, then twelve, worked as school janitor to help keep the family afloat. At age sixteen, Bingham apprenticed with cabinet maker Jesse Green. After Green moved, he apprenticed with another cabinet maker, Justinian Williams. Both tradesmen were Methodist ministers and, while under their tutelage, Bingham studied religious texts, preached at camp meetings and thought about becoming a minister himself. Bingham also considered becoming a lawyer. However, by age nineteen, Bigham was painting portraits for $20.00 apiece, often completing the works in a single day. He drummed up work in both Franklin and Arrow Rock and, while his painting abilities were still developing, succeeded in impressing his patrons with his strong draftsmanship and ability to capture the likeness of his subject. Soon Bingham attempted to travel to St. Louis to ply his trade but contracted measles, which left him weak and permanently bald. In 1836, Bingham married Sarah Elizabeth Hutchison, who bore him three children over the subsequent twelve years before dying at the age of twenty-nine. George married twice more, first to Eliza Thomas, who died in a mental institution in 1876, and then to Martha Lykins, who lived until 1890. George's mother, Mary, died in 1851. By 1838, Bingham was already beginning to make a name for himself as a portrait artist in St. Louis, his studio visited by several prominent local citizens and statesmen, including the lawyer James S. Rollins who was to become a life-long friend. To further his education, George spent three months in Philadelphia, Pennsylvania before continuing on to New York City to visit the National Academy of Design exhibition. Bingham was elected to the Missouri General Assembly in 1848. From 1856 to 1859, Bingham studied art with the members of the D??sseldorf School in D??sseldorf, Germany. Critics claim that this caused him to abandon the rustic American style in his art. Upon his return, he began painting less, turning to politics in the post-Civil War years and serving as state treasurer and adjutant general. He was also president of the Board of Police Commissioners for Kansas City, Missouri in 1874, appointing the first chief of police there . Toward the end of his life he was a professor of art at the University of Missouri in Columbia, Missouri.

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